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Acclaimed director Franco Zeffirelli teamed with Mel Gibson for this energetic, earthy adaptation of the classic Shakespeare tragedy. From study abroad, the young Prince of Denmark returns home to find his mother has married his uncle, and his father's ghost is urging him to action; but what action? Gibson brings real gusto to Hamlet's anguish, and makes this full-blooded translation roar with life. Glenn Close, as his mother, and Helena Bonham Carter, as Ophelia, both lend excellent support. This is Shakespeare with teeth; it should please both students and casual filmgoers. |
After mixed reviews for his 1968 Romeo and Juliet, Franco Zeffirelli waited over 20 years — not counting his 1986 version of Verdi's opera Otello — before tackling the Bard again. Closer in spirit to Baz Luhrmann's William Shakespeare's Romeo and Juliet than Kenneth Branagh's meticulously faithful Hamlet, this is a surprisingly vigorous rendition of a play essentially about indecision and hesitancy. Mel Gibson is the screen's most muscular Prince of Denmark, but he gives a good account of himself, as does Helena Bonham Carter as the abused Ophelia. Yet it's Alan Bates who most impresses as the villainous Claudius. Not one for the purists, but a laudable attempt to introduce Shakespeare to the blockbuster generation.
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Halliwell's Film Guide
Decent, unadventurous adaptation that does not challenge Olivier's version.