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L'Enfer (1993) Certificate 15

L'Enfer

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Rated 3.0 stars
Average rating
(61%)
 
Starring: Emmanuelle Beart | Francois Cluzet | Andre Wilms | Marc Lavoine | Nathalie Cardone | Mario David | Jean-Pierre Cassel
Director: Claude Chabrol
Studio: SECOND SIGHT FILMS LTD.
Run time: 98 mins
Genres: Drama | World Cinema
Languages: French
Subtitles: English
Released: July 07, 2003
Also available on:

Claude Chabrol's L'ENFER is the story of a good marriage that turns sour when obsessive jealousy takes hold of a loving husband, turning him into a violent, paranoid tyrant. In this tense and riveting drama, originally written by master French director Henri-Georges Clouzot (LES DIABOLIQUES), Paul (Francois Cluzet), the hardworking owner of a beautiful hotel, begins to hear voices in his head convincing him that his wife Nelly (Emmanuelle Beart) is being unfaithful. The glorious romance and bliss of their early days of marriage is swiftly replaced by Paul's incoherent and obsessive fantasies about Nelly's infidelity. As the pace and severity of Paul's delusions increase, so does the tension and drama of the film, as tragedy looms in the distance. The hotel, once the spot of married bliss and harmony, quickly becomes Nelly's prison, as Paul accuses Nelly's friends of encouraging her supposed flings and forbids her to see them. With his hysterical ravings, he prevents Nelly from leaving the premises. Chabrol's use of Paul's interior monologues and delusionary projections creates a terrifying gap between fantasy and reality, and leaves the fate of the desperate and troubled lovers in question, even at the end of the film.

Rating of 3 stars out of 5
Radio Times

L'Enfer, or Hell, began in 1964 as a movie starring Romy Schneider and Serge Reggiani and directed by Henri-Georges Clouzot, creator of The Wages of Fear and Les Diaboliques. Shortly after shooting started, Reggiani quit through illness and then Clouzot himself was felled by a heart attack. The movie never resumed production and, after Clouzot's death in 1977, his widow passed the project on to Chabrol. It's a story about pathological jealousy, acted to the hilt by the sensuous and possibly two-timing Emmanuelle Béart, whose character is married to seething hotel owner François Cluzet. Things get seriously out of control, tipping the picture quickly into the realm of black comedy. Not one of Chabrol's best movies, but still good fun.

Highest rated reviews

15 out of 16 people found the following review helpful:

Rated 4 stars
Throwing it all away

RustyT from Dorset, 20th May, 2004

This is by all accounts an accurate depiction of the breakdown of a marriage caused by paranoia.

It will appeal to connoisseurs of that genre although quite honestly it didn't appeal to me.

Paul (François Cluzet) and Nelly (Emmanuelle Béart) have an idyllic marriage, it would seem. They're deeply in love, they have their child, they run a lovely lakeside hotel in southern France: they have it all. But Paul becomes jealous, and this, it becomes clear in the Chabrol script,is a clinical illness which needs treating.

Which of us, faced with this situation, could identify this so clearly? At first they don't know what they're dealing with. Before the end of the film, it is apparent that Nelly has had one dust-up too many, and she seeks help. If Chabrol's the name, don't expect easy solutions.

I would say it was an excellent film. with good acting and superlative feel-good photography. As to whether it might appeal to you, I'd hope this review might help a little.


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4 out of 4 people found the following review helpful:

Rated 4 stars
Complex investigation into madness

A Customer from surrey, uk, 2nd October, 2005

A great film. Difficult to follow, but the director's commentary really helps - sometimes the blur between reality and imagination is deliberate, so you experience the confusion as well as Paul. You will have to put some effort into watching this, but will be rewarded with an interesting and intelligent presentation of the symptoms of madness as it takes hold.

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4 out of 4 people found the following review helpful:

Rated 4 stars
Difficult but worth the effort.

JG Weston from Chelmsford, Essex, 16th February, 2005

This is a French film so it is no surprise that it deals with relationships. It explores the results of obsessive jealousy. The film is difficult in that at first it just looks like a straightforward narrative film. As it progresses however, we realise that we see it from the perspective of the husband's mind. Since he is possesed of this jealousy he doesn't always see things as they really are, which means we need to think about what we see and maybe reinterpret what has gone before. It could be confusing if you don't pay attention, but Chabrol gives clear clues in his filming to what is going on. If you enjoy films that you need to think about and can reflect on in the days after viewing then this is worth renting. I think it can also be seen more than once, getting more from on it on subsequent viewings. The main extra, quite short, is worth viewing as it explains how the film came originally from Cluzot who started to make a version which may have been even more difficult than this one. If you were really baffled by the film then try the Chabrol commentary, on a shortened version of the film covering the main scenes only. I don't normally bother with these, but in this case it does give some insights into his craft, particularly worthwhile if you are going to view the film a second time. There are some lovely cinematic effects in this film, I can see why Chabrol is a respected film director. JG

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4 out of 4 people found the following review helpful:

Rated 4 stars
Mad with jealous doubt

Zamy from from London, 17th December, 2004

This is a film about jealous obsession and how it can destroy a man from within. Chabrol films with lots of Hitchcockian touches and clearly has a dark view of human feelings and motivations. It is an interesting touch that it is never entirely clear whether the wife is unfaithful or not. She is certainly very beautiful, an object of desire, and Beart's performance is excellent. It is Clouzot as the jealous husband who has to carry the main thrust of the film and, good as he is, not every scene is brought off with complete beleivability. Nevertheless, this is a good example of Chabrol's filmic preoccupations and must rank with his best work. Well worth renting.

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Most recent reviews

Rated 3 stars
Could of been so much better

A Customer from Bolton, 20th November, 2008

needed an introduction of pace and suspense

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Rated 4 stars
L'enfer

A Customer from London, 29th October, 2008

A really interesting film and open approach to the claustrophobia of a possesive relationship a marriage in meltdown or was it just the individual? I thought it was informative considered with an allowance to thought provoke looking at everyone's behaviour. It wasnt judgemental and yet was looking at this man's anxieties about his wife's liveliness/ flirtatious qualities and how he jumped irrationally to conclusions. This was in the extreme example portrayal of jealousy but for a reason a purpose somehow we travelled with the protagonists. The open question left was it the individual gender or the pressure of 'love' relationship but none the less an intelligent account.

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Rated 5 stars
Customer Review

A Customer from UK, 23rd June, 2008

Based on a script by Clouzot, the aim of this movie is to describe the patholgy and psychology of man, Francois, who succumb slowly under the weight of jealousy. This movie is amazing, and describe the psychological aspect of this "disease" in a very defined way. Clouzot has actually done a long study of the phenomenon of jealousy, it is therefore highly detailed and enlighted by Chabrol art to slow down the pace of the movie up to the point that, just like Francois, time seems to be infinite. It's a mental torture for Francois, he is prisoner of his thoughts and his mind killing the reality slowly. This movie is a must see!!!!

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1 out of 1 people found the following review helpful:

Rated 2 stars
mmmmmm

A Customer from Leeds, 6th May, 2008

I don't know what to think of this film, i didn't know it was subtitled, the ending was pathetic, really bad

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